Description

Broadening our understanding of the British world 
 During this last semester of the Licence, students will be invited to work on the history and culture of the British world differently. They will have the opportunity to work on specific areas and cultural developments of the British world that are lesser known to them. 
 
 T. Heron. Popular Music in Postwar Britain 
 This course aims to introduce students to the field of cultural studies in general and popular music studies in particular. It will address the history and main features of popular music in the United Kingdom, from the emergence of new music technologies and practices in the Edwardian era to the impact of “Beatlemania” in the 1960s. It will also lead us to reflect upon the notion of “popular culture” and how throughout the twentieth century it became a source of concern (and consternation) for thinkers on the right (“Leavisites”) and the left (Frankfurt School). By engaging with theoretical texts as well as primary sources (with a focus on audiovisual documents), we will examine how popular culture intersects with issues such as commercialism, Americanisation, youth, space, race, gender and sexuality.
 
 Selective bibliography:
 Brake, Mike. Comparative Youth Culture: The Sociology of Youth Cultures and Youth Subcultures in America, Britain and Canada. New York : Taylor and Francis, 2003
 Chastagner, Claude. De la culture rock. Paris : Presses universitaires de France, 2016.
 Clayton, Martin, et al. The Cultural Study of Music: A Critical Introduction. New York : Routledge, 2012.
 Frith, Simon. Sound Effects: Youth, Leisure, and the Politics of Rock’n’Roll. New York : Pantheon Books, 1982.
 Frith, Simon and Andrew Goodwin, eds. On Record: Rock, Pop, and the Written Word. Londres : Routledge, 2000.
 Hall, Stuart and Tony Jefferson, eds. Resistance Through Rituals: Youth Subcultures in Post-War Britain. Londres : Routledge, 2003.
 Hebdige, Dick. Subculture: The Meaning of Style. Londres : Routledge, 2006.
 Longhurst, Brian. Popular Music and Society. Cambridge : Polity Press, 1995.
 Pirenne, Christophe. Une histoire musicale du rock. Paris : Fayard, 2011.
 Storey, John. Cultural Theory and Popular Culture: An Introduction. Harlow: Pearson Longman, 2011. 
 Storey, John. From Popular Culture to Everyday Life. New York : Routledge, 2014.
 Turner, Graeme. British Cultural Studies: An Introduction. London, Routledge, 2009.
 
 
 H. Ibata: The Golden Age of British Painting. 
 The 18th and 19th centuries are generally considered to be the golden age of British painting. As Britain became a leading economic power, the visual arts also began to flourish, with the creation of the Royal Academy in 1768, and the development of a distinctive and ambitious artistic identity. British painters of the period were not only seeking to demonstrate their ability to compete with the greatest masters of continental Europe, they were also responding to the political, intellectual and industrial revolutions of their time by exploring new pictorial forms and themes that reflected man’s evolving relationship with the world. This course will examine some of those responses through the works of artists like William Hogarth, John Constable, J.M.W Turner and the Pre-Raphaelites.
 
 Recommended reading :
 Brown, David Blayney et al. Late Turner: Painting set free. London: Tate Publishing, 2015.
 Bruckmuller-Genlot, Danielle. Peinture et Civilisation Britanniques , Ophrys 2000. 
 Einberg, Elizabeth. Hogarth the Painter. London: Tate publishing, 1997
 Hermann, Luke, Nineteenth Century British Painting, Giles de la Mare Publishers, 2000.
 Lyles, Anne. Constable: The Great Landscapes. London: Tate publishing, 2006
 Myrone, Martin. L’âge d’or de la peinture anglaise : de Reynolds à Turner, Paris : Réunion des musées nationaux, 2019.
 Solkin, David. Painting for Money : The Visual Arts and the Public Sphere in Eighteenth-Century England. New Haven and London: Yale University Press, 1993.
 Vaughan, William. British Painting: The Golden Age. London: Thames and Hudson, 1999.
 Wood, Christopher. The Pre-Raphaelites. London: Weidenfeld and Nicolson, 1981
 
 
 M.Hillion, After the Empire : independence and nation-building in India (1947-1977) 
 
 This course aims to introduce students to the history of decolonisation and post-colonial nation-building. It focuses on the case of India to better understand the relationship between newly independent countries, the Commonwealth and the world at large through the second half of the 20th century. What factors led to the independence of India in 1947 and what happened after the British rulers left? How did Indian nationalism emerge and transform over three decades? Through our examination of primary and secondary sources, we will try to answer these questions by looking at foundational moments of India’s modern history such as the fight for independence, Partition, and the Emergency. Students will also discuss the role of literature and culture in the nation-building process through the analysis of films and literary texts, focusing in particular on Salman Rushdie's Midnight's Children, a novel that challenges nationalist narratives and reflects on the ambivalences of history-writing.

 Selective bibliography:

- Blom Hansen, Thomas.The Saffron Wave : Democracy and Hindu Nationalism in Modern India. Princeton: Princeton University Press, 1999.

- Darwin, John. The Empire Project: The Rise and Fall of the British World System 1830-1970. Cambridge: Cambridge University Press, 2009.

- Guha, Ramachandra. India after Gandhi: The History of the World’s Largest Democracy. New York: HarperCollins, 2007.

- Khilnani, Sunil. The Idea of India . London: Penguin, 1997.

Prakash, Gyan. Emergency Chronicles: Indira Gandhi and Democracy's Turning Point, Princeton : Princeton University Press, 2019.

-Rushdie, Salman, Midnight's Children, London: Jonathan Cape, 1981.

Mme Collombier: Irish History (1169-1921)

This course will be an introduction to Irish history and Irish studies, which will be presented to the students through the use of various documents dealing with key moments in the history of the island. Particular attention will be paid to the question of Anglo-Irish relations and its evolution up to the Anglo-Irish Treaty of 1921.

Compétences visées

Macro-compétences: contextualiser des faits, des productions, des connaissances/ Adopter une approche réflexive et critique des objets d’étude.

The objectives of the course are :
 - to provide students with a deeper knowledge of specialised cultural fields and/or specific geographical areas.
 - to foster the ability to write a critical document analysis which includes historical arguments.
 - to enhance the ability to digest, select and organise material to produce a coherent and cogent argument.
 - to develop the capacity to work on multiple sources, compare and contrast these sources and synthesize the information they provide. 
 
 Le travail d’apprentissage du commentaire de document est poursuivi, avec notamment travail de la problématisation.
 Un travail sur des supports multiples pourra être proposé afin de produire une synthèse commentée d’un ensemble de documents.

Modalités d'organisation et de suivi

Les enseignants impliqués dans ce cours proposeront d’étudier des thèmes et des périodes légèrement différentes.

Disciplines

• Études anglophones

Bibliographie

BARTLETT, Thomas, Ireland: A History, Cambridge: Cambridge University Press, 2011.

FORSTER, Roy F., The Oxford history of Ireland [Rev. ed. of : "The illustrated Oxford history of Ireland. 1989, Reissued], Oxford ; New York : Oxford University Press, 2001. 

________, Modern Ireland 1600-1972, London: Penguin, 1989

MOODY, T. W. & F. X. Martin, The Course of Irish History, Cork: Mercier Press, 1994 (1967).

HUTCHINSON, Welsey, La question irlandaise, Paris: Ellipses, 1997.

Contacts

Responsable(s) de l'enseignement

• Hélène Ibata
• Pauline Collombier