Polysèmes is a biannual academic journal of intertextual and intermedial studies. It was founded in 1989 by SAIT (French Society for the Study of Arts, Images and Texts). It seeks to explore the relationships between different works of art, different forms of art, from writing to painting, from music to literature. A text can conjure up a painting, just as music can resonate with words. Texts interact with each other. Whether they be verbal, visual or musical, the signs used in all arts echo one another. A book may point to or hide other books. It may evoke paintings it cannot paint and music it cannot play.
28 | 2022
Framing / Unframing Spaces
Edited by Gwendolyne Cressman, Rémi Vuillemin and Fanny Moghaddassi
Table of contents
- Framing/Unframing Space: But Where Is the Frame? “Border Art” as a Vehicle to Think Inclusion [Full text]Cadrer/Décadrer l’espace : mais où donc se situe le cadre ? L’« art de la frontière » comme outil pour penser l’inclusion
- “Framing and Trimming”: The Fed, the Dollar and Three Artistic Interventions on Monetary Frames in the United States
- La Photographie non-prise : des femmes hors cadre dans la fiction de Hugo Hamilton
- “Overlapping Realities” in The Body Artist [Full text]Réalités superposées dans The Body Artist de Don DeLillo
- Du jardin clos d’Elizabeth von Arnim au jardin Arts and Crafts de Vita Sackville-West : l’être enraciné au jardin?
- Des paysages encadrés aux paysages comme cadres : le discours de Frederick Law Olmsted sur la peinture et le paysage dans l’Amérique du XIXe siècle
- Percy Bysshe Shelley’s Reframing Ekphrases [Full text]Recadrage dans les ekphraseis de P.B. Shelley
